So, I’m writing two stories and editing a third story at the moment.
The good news is that I found a home for Date Night, a romance novella based around Burn and Bad Karma going on a date. Well, after dealing with some other people’s shenanigans, and a bit of gun fighting, a car chase, and some gun slinging before it’s over. It also involves an Eastern European mob. In Atlanta. And, yes, I did check with TA Walker, who writes romance. She confirms that Date Night is a romance story.
I’m also working on a military fantasy short story about an ensign who’s interning with a mercenary marine infantry formation. This is for the Butter Bars anthology I’m working on with Henchman Press. Hopefully, I’ll get this finished in the next couple of weeks so I can start sharing some snippets.
Last, I’m working on the rough draft of the sixth novel in the Burn and Bad Karma series. I’ve got too many story lines, and my ADHD is showing hard right now, but I’ll get it done and then clean it up in edits. I’ve posted a few snippets of this one on social media and people like what they’ve seen!
So, that’s where I am in the world of writing. Things are busy and I’m juggling a lot of projects, but they’re getting done as fast as I can get words into files and then cleaned up in edits!
Thanks for all your patience as I keep rolling toward new stories going into the world!
As I’m working through rebranding and getting new covers on my books, I’ve had the great fortune to work with Tiffanie Gray, who has nailed Moving Target and Easy Jobs.
As is usually the case, authors have a view of what their covers should look like. This idea usually has little connection to what readers are looking for when they look for books in their preferred genre. Tiffanie does a great job of pointing out the marketing needs of the cover, as well as incorporating ideas that work and help the cover become part of the story I’m trying to tell.
As you can tell, Tiffanie does excellent work and creates outstanding covers!
If you need help with covers, get in touch with Tiffanie at tiffanie_gray@sbcglobal.net
The best news for Burn and Bad Karma is that they rarely have to attend any staff meetings, and if they do, the group is usually new people.
Seriously, though, it can be complicated for them to get through a job that should have been straight forward, simple and over with. That would also make the stories both shorter than expected and it wouldn’t ring true to real life. At least for most of us.
Since Easy Jobs is already in the title, I’ll use it as an example of complicating things for the characters. There are spoilers ahead, so if you haven’t read Easy Jobs, maybe go read that one first (or listen to the audio book).
The first thing that happens is that Hitcher, who’s exiting the Holy Mexican Empire’s embassy in Atlanta, gets spotted and chased by security personnel. Prioritizing not ending up a prisoner of the Empire, he accidentally kills one of the security team, and hurts a few others. Between the data he took, and the death of one of their own, the Empire’s local leadership wants their data and to make an example of Hitcher, so they set up a bounty for him, employing their own assets and mercenary forces in the Southern States Union.
Next, we meet Burn and Bad Karma conducting a data theft in some corporate executive’s skyrise condo. They’re professionals. Highly skilled. They reconned the condo, checked schedules, and did all the right things. And, of course, there was an unknown occupant in the condo, who came out armed. Data theft escalated to a self defense shooting, followed by the pair having to rappel down the building, getting into a short gun fight with a security team on the ground before stealing a car.
Micky then calls in Burn and Bad Karma to get Hitcher to Pittsburg. This involves dodging mercenaries, disrupting a gang robbery in a fast food place, illegally crossing a border, and, finally, a show down with the Empire’s hirelings and their ringer and high level killer.
Does it seem convoluted? Because it does. However, for the story to feel real, and to give the characters changes to shine and do what they do best, I had to find ways to increase the intensity. Burn and Bad Karma were focusing on steal and speed to get Hitcher clear. But they’re too people against a group that national resources to leverage, even if they have to so in a hostile nation. And I don’t want the Empire to seem incompetent. They aren’t. In setting, the Holy Mexican Empire controls everything to real world Panama, and is doing well in battle in the former US states from California to Texas. If they were incompetent, Hitcher would have gotten away clean in the first place.
So, writers have to find ways to increase the intensity and concern for the main characters. Some times, its the bad guys getting players on the board and messing up the main characters’ plans. Other times, it’s a matter of dumb luck braking against the characters. The gas station fight in Easy Jobs was a combination. Hitcher stepped in front of some mercenaries that were looking for the bounty on his head.
When we do this right, readers get a fun story that rings true and keeps you turning pages. Not that I, or any writer, nails that every time.
But here’s the secret: if the story needs a kick, I can add that in re-writes. I don’t have to write a perfect story the first time out. I can write the first draft, and when I re-read it, I can make notes going “hey this is too easy. Give them a threat or problem.” If you’ve read Easy Jobs, they literally had to swim across a river to get from Kentucky to Ohio. Why? Because at that point in time, the fictional United States and Southern States Union had no open check points or crossings. Burn and Bad Karma had no way to scam IDs that would allow such a crossing at that time. So, they had to slog it across and work their way to a town so they could secure another ride.
Along with that, they discuss the issues with the amount of surveillance they needed to avoid, and how they would, along with the risks of dealing with law enforcement, and how they would approach that. None of that would allow them an easier delivery.
So, hopefully, this gives you the readers (and any writers out there) some insight on how the stakes get increased in a story, even when the task should be simple and straight forward, an easy job. And we writers how you enjoy these stories!
Keith Hedger's Home for Fiction 